WINDOWS ON HUMANITY

CHAPTER 1 image LINKS

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introduction
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Fig. 1-1.     Statue of Liberty   Frédéric Bartholdi. Copper. Dedicated 1886. Liberty Island, Manhattan. In situ (in its original location).
Image:   Dmckelvey4.    {CC BY-4.0}​

Fig. 1-2.     A Bad Hoss    Charles Russell. Oil on canvas. 1904. Buffalo Bill Historical Center. Cody, Wyoming.
Image:   Adam Cuerden.  {CC PD-US-expired)

Fig. 1-3.      Winged Victory   From Samothrace, Greece. Marble. c. 220-185 B.C. Louvre. Paris, France.
Image:   Jastrow.
    {CC PD-self)
Fig. 1-4.      Eve   Gislebertus. From Autun Cathedral. Stone relief panel. c. 1330s. Musée Rolin. Autun, France.
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Image:   Cancre.  {CC BY-SA 4.0}
Fig. 1-5.       Discus Thrower   Roman copy in marble of original cast bronze by Myron of c. 460-450 B.C. Copy: c. 140 A.D. National Roman Museum. Rome, Italy.
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Image:   Jastrow.    {CC PD-self}
Fig. 1-6.       Washington Crossing the Delaware   Emanuel Gottlieb Leutze. Oil on canvas. 1851. Metropolitan Museum of Art. New York, New York.
​Image:   The Metropolitan Museum of Art.   {CC0 1.0}
Fig. 1-7.       Kassel Apollo   Roman copy in marble of Greek original cast bronze of c. 470 - 460 B.C. Louvre. Paris, France.
Image:  Luppus.    {CC BY-SA 4.0}
Fig. 1-8.       Youth with horse & dog   Roman copy in marble of Greek relief. From the Villa Adriana, Tivoli, Italy. c. 125 A.D. British Museum. London, England.
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Image:   Jastrow. © Marie-Lan Nguyen / Wikimedia Commons.    {CC BY 2.5}
Fig. 1-9.     Adoration of the Magi   Detail from the Ratchis Altar. Stone relief. c. mid-8th century A.D. Church of San Martino, Cividale, Italy. In situ.
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Image:   Wolfgang Sauber.    {CC BY-SA 3.0}
Fig. 1-10.   The Damned   Detail of tympanum, Abbey Church Sainte-Foy. Carved stone relief. c. 1100 - 1125 A.D. Conques, France. In situ.
Image:   Peter Campbell.   
 {CC BY-SA 4.0}
Fig. 1-11.   Meagre Company   Frans Hals and Pieter Cobb. Oil on canvas. 1633 - 1637. Amsterdam Museum. Amsterdam, The Netherlands.
Image:   Paris 16.   The Rijsmuseum Amsterdam.   
 {CC PD-Mark}
Fig. 1-12.   Piazza San Marco with the Basilica   Canaletto. Oil on canvas. Late 1720s. Metropolitan Museum of Art. New York, New York.
​Image:   The Metropolitan Museum of Art.    {CC0 1.0}
​Fig. 1-13.   German soldiers with painting from Biblioteca del Museo Nazionale di Napoli   Photograph. Meister. 1943. German Federal Archives. Koblenz, Germany.
Image:  German Federal Archives.  
Bundesarchiv, Bild 101I-729-0001-23 / Meister.    {CC BY-SA 3.0 DE}
Fig. 1-14.   The Ife Head   From Ife, Nigeria. Cast copper alloy. Yoruba culture. c. 14th - early 15th century  A.D. British Museum. London, England.
Image:   Sailko.    {CC BY-SA 3.0}
Fig. 1-15.   The Sparkling Sea   Hiroshi Yoshida.  Woodblock print on paper. 1926. Library of Congress Prints and Photographs Division. Washington, D.C.
Image:   Library of Congress Print and Photograph Division.    {LOC-image} {PD-old} {PD-US}
Fig. 1-16.   The Creation of Adam   Michelangelo. Detail of ceiling fresco. 1508-1512. Sistine Chapel, Vatican. Rome, Italy. In situ.
Image:   Burkhard Mücke.    
 {CC BY-SA 4.0}
Fig. 1-17.   The Buccaneer   Howard Pyle. Oil on canvas. 1905. Delaware Art Museum. Wilmington, Delaware.
Image:  Jappalang.    {CC PD-US}
Fig. 1-18.    Bellini carpet    Attributed to Turkey. Dyed wool. c. 16th - 17th century A.D. Metropolitan Museum of Art. New York, New York.
Image:   The Metropolitan Museum of Art.    {CC0 1.0}
Fig. 1-19.   Grazing reindeer   Modern replica of engraved antler from Kesslerloch Cave. Thayngen, Switzerland. c. 13,000 - 9,000 B.C.  Replica: Landes Museum Zürich. Switzerland. Original: Rosgarten Museum Konstanz. Germany.
​Image:   Parpano5.    {CC BY 3.0}

Fig. 1-20.   Bison, Altamira Cave   Modern replica of Altamira Cave painting.  Original:. c. 16,500 - 12,500 B.C. Altamira, Spain. In situ. Replica: National Museum and Research Center, Altamira, Spain.
Image:   Museo de Altamira y D. Rodríguez.    {CC BY-SA 3.0}
Fig. 1-21.   Aurochs, Lascaux Cave   Modern replica of Lascaux Cave painting. Original: c. 17,000 B.C. Lascaux, France. In situ. Replica: Lascaux II, Lascaux, France.
Image:   Prof saxx.   {CC BY-SA 3.0}
Fig. 1-22.   Akrotiri archaeological excavation   Modern archaeological dig site of ancient Minoan village of Akrotiri. Santorini, Greece. In situ.
 Image:   Christos Koudounis.    {CC BY-SA 4.0}
Fig. 1-23.   Radiocarbon dating machine   Accelerator mass spectrometer at Lawrence Livermore National Laboratory. Livermore, California.
Image:   United States Department of Energy.    {PD-USGov-DOE}
Fig. 1-24.   Sphinx Room   Domus Aurea, Rome. c. 65-68 A.D. Discovered 2019. In situ.
Image:   Archaeological Park of the Colosseum.  {PD-ItalyGov}  {CC-PD-Mark}

Fig. 1-25.   Enthroned Zeus   Reverse, tetradrachm of Alexander the Great showing figure of the enthroned Zeus. Silver. c. 315-294 B.C. Private collection.
​
Image:   Ancientcoincollector.    {CC BY-SA 4.0}
Fig. 1-26.   Transport of colossal lamassu   Modern drawing of ancient Assyrian relief of c. 700 - 692 B.C. Original: gypsum relief from palace frieze of King Sennacherib, Nineveh, Iraq. Neo-Assyrian culture. British Museum. London. Drawing: 1882. Unknown collection.
Image:   Ireas / Wikimedia Germany.    {CC-PD-Mark} {PD-US}
Fig. 1-27.   Transport of colossal enthroned Djehutihotep   Modern drawing of ancient Egyptian mural from tomb of Djehutihotep, Deir El Bersha, Egypt. c. 1,900 B.C. Original mural destroyed.  Drawing: 1854. Unknown collection.
Image:   Bakha.   
{CC-PD-Mark} {PD-US}
Fig. 1-28.   Berlin Foundry Cup   Attributed to The Foundry Painter. Exterior of Attic red-figure kylix (drinking cup). c. 490-480 B.C. National Gallery, Staatliche Museen zu Berlin. Berlin, Germany.
Image:   Sailko.    {CC BY 3.0}


Links
Archaeological Institute of America
Dating the Radiocarbon Way
The Getty Conservation Institute
University College London Institute of Archaeology

Banner:   Meagre Company (Frans Hals).   Image: Paris 16.   {CC PD-Mark}
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