WINDOWS ON HUMANITY

APPENDIX B image LINKS

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WHY IS THERE ART?
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Fig 2-33.   Venus of Lespugue     Restored replica of original figurine from Lespugue, France. Ivory. c. 26,000 - 24,000 B.C. Musée de l'Homme. Paris, France. (Also Fig. 2-33)
Image:   
 José-Manuel Benito.    {CC PD-user}
Fig. 4-24.   Narmer Palette, Verso side        Ceremonial cosmetic palette from Hierakonpolis, Upper Egypt. Siltstone. Predynastic period. c. 3200 - 3000 B.C. Museum of Egyptian Antiquities. Cairo, Egypt.
Image:   Daderot.    {CC0 1.0}
Fig. A-3.      Still Life with a Skull and a Writing Quill    Pieter Claesz. Oil on wood. 1628. Metropolitan Museum of Art. New York, New York.
​Image:   The Metropolitan Museum of Art.   {CC0 1.0}
Fig. A-4.       Owl of Athena      Silver Tetradrachm coin from Athens, Greece. Classical period. c. 480 - 420 B.C. Museum of Fine Arts of Lyon. Lyon, France.
​Image:   Jastrow. © Marie-Lan Nguyen / Wikimedia Commons.    {CC BY 2.5}
Fig. A-5.      Allegory of Logic and Dialectic   Panel from the north side of the Campanile, Florence. Attributed to Luca della Robbia. Marble relief. c. 1437 - 1439.
Museo dell’Opera del Duomo. Florence, Italy
.

​Image:   Jastrow. © Marie-Lan Nguyen / Wikimedia Commons.   {CC PD-self}
Fig. A-6.       Allegory of Justice   Overdoor panel from France. Wood relief. c. 18th century. Metropolitan Museum of Art. New York, New York.
​Image:   The Metropolitan Museum of Art.   {CC0 1.0}
​Fig. A-7. The Story Book    William-Adolphe Bouguereau. Oil on canvas. 1877. Los Angeles County Museum of Art. Los Angeles, California.
Image:    Los Angeles County Museum of Art.   Public Domain.
​​Fig. A-8.   Idyll   Frederic Leighton. Oil on canvas. c. 1880 -1881. Private collection.
Image:        Mattes.      {CC-PD-Mark} {PD-US}
Fig. A-9.   Children playing cymbals   Luca Della Robbia. Section of the Cantoria of Florence Cathedral. Marble relief. c. 1430 - 1438. Museo dell’Opera del Duomo, Florence, Italy.
Image:     Jastrow. © Marie-Lan Nguyen / Wikimedia Commons.    {CC PD-self}
Fig. A-10.   Summer Flowers   Henri Fantin-Latour. Oil on canvas. 1880. Metropolitan Museum of Art. New York, New York.
​Image:   The Metropolitan Museum of Art.        {CC0 1.0}
Fig. A-11.   Portrait of a Couple   Frans Hals. Oil on Canvas. c. 1622. Rijksmuseum. Amsterdam, The Netherlands.
​Image:      Eloquence.     {CC PD-Mark} {PD-US}
Fig. A-12.   Kneeling figure of Hor-wedja   Sculpture from Memphis, Lower Egypt. Sandstone. Dynasty 26. Late Period. c. 640 – 620 B.C. Walters Art Museum. Baltimore, Maryland.
​Image:   
The Walters Art Museum.   {CC0 1.0}
Fig. A-13.   The Inspiration of Saint Matthew   Michelangelo Merisi da Caravaggio. Oil on canvas. c. 1602. San Luigi dei Francesi Church. Rome, Italy. In situ.
Image:     Masur.       {CC-PD-Mark} {PD-US}
Fig. A-14.   The Risen Christ    Michelangelo Buonarroti. Black chalk on paper. c.1532. The Royal Collection. London, England.
Image:    wikiart.org.    Public Domain.
Fig. A-15.   The Ecstasy of Saint Teresa        Gian Lorenzo Bernini. Marble. 1647 - 52. Church of Santa Maria della Vittoria. Rome, Italy. In situ.
Image:   
Alvesgasapar.    {CC BY-SA 4.0}
Fig. A-16.   Notre-Dame Chimera        Chimera on Notre-Dame Cathedral, Paris. Stone. c. 13th - 15th century A.D. Replaced 1840s. Notre-Dame Cathedral. Paris, France. In situ.
Image:   Michael Reeve.    {CC BY-SA 3.0}
Fig. A-17.    Bronze grotesque   Grotesque from Greece. Cast bronze. Hellenistic period. c. 2nd century B.C. - 1st century A.D. Metropolitan Museum of Art. New York, New York.
​Image:   The Metropolitan Museum of Art.      {CC0 1.0}
Fig. A-18.   Father I Cannot Tell a Lie: I Cut the Tree  Lithograph. John C. McRae. 1867. After a painting by George Gorgas White.
Library of Congress Prints and Photographs Division. Washington, D.C.

​Image:      
Materialscientist.     {CC-PD-Mark} {PD-US} (LOC-image}
Fig. A-19.   Gin Lane   William Hogarth. Copper plate (etched & engraved). 1751. Metropolitan Museum of Art. New York, New York.
​Image:   The Metropolitan Museum of Art.   {CC0 1.0}
Fig. A-20.   Garden of Earthly Delights   Hieronymous Bosch. Oil on wood panels. c. 1490 - 1505. Museo del Prado. Madrid, Spain.
Image:    AxelBoldt.     {CC-PD-Mark} {PD-US}
Fig. A-21.  Die Pfändung   (The Distraint)       Peter Fendi. Oil on board. 1840. Österreichische Galerie Belvedere. Vienna, Austria.
Image:   Multichill.    (CC BY-SA 4.0}
Fig. A-22.   Empire Springs from the Mind of Il Duce   Sculpture. Ferruccio Vecchi. 1940. Location unknown.
 Image:   Photograph published 1940.    Public Domain

Fig. A-23.   Mao received the Red Guard  Artist unknown. 1967. Location unknown.
Image:   Walter Grassroot.   {PD-China}
Fig. A-24.   Duke Williams orders that ships be built   Scene 35 of the Bayeaux Tapestry. Embroidery on linen from France. 11th century A.D. (after 1066).
Musée de la Tapisserie de Bayeaux. Bayeaux, France.

Image:     Thincat.      {CC-PD-Mark} {PD-US}
Fig. A-25.   Atlas brings Herakles the apples of the Hesperides  Metope 10, Temple of Zeus, Olympia, Greece. Marble relief. Classical period. c. Mid - 5th century B.C.
Archaeological Museum of Olympia. Olympia, Greece.

Image:      
Joanbanjo.    (CC BY-SA 3.0}
Fig. A-26.   The Death of Caesar   Jean-Leon Gerome. Oil on canvas. c. 1859 - 1867. Walters Art Museum. Baltimore, Maryland.
Image:     The Walters Art Museum.    {CC0 1.0}
Fig. A-27.   The Scream    Edvard Munch. Mixed media on cardboard. 1893. National Gallery of Norway. Oslo, Norway.
Image:     
Coldcreation.    {CC-PD-Mark} {PD-US}
Fig. A-28.   The Wild Man   Paul Klee. Print reproduction of original oil on canvas of 1922. Lenbachhaus. Munich, Germany.
Image:   
Ermell.    {CC-PD-Mark} {PD-US}
Fig. A-29.   Groningen horse   Lithograph. Otto Eerelmann. Before 1898. Location unknown.
Image:   Countercanter.  
 {CC-PD-Mark} {PD-US}
Fig. A-30.   Carolina Parrot   Print engraving from original painting by John James Audubon. Original: 1825. New York Historical Society. New York, New York.
Image:   Muriel Gottrop~commonswiki.  
 {CC-PD-Mark} {PD-US}

Banner:   Idyll.      Frederic Leighton. Oil on canvas. c. 1880 -1881.   Image:        Mattes.      {CC-PD-Mark} {PD-US}
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