WHY IS THERE ART?
Fig 2-33. Venus of Lespugue Restored replica of original figurine from Lespugue, France. Ivory. c. 26,000 - 24,000 B.C. Musée de l'Homme. Paris, France. (Also Fig. 2-33)
Image: José-Manuel Benito. {CC PD-user}
Fig. 4-24. Narmer Palette, Verso side Ceremonial cosmetic palette from Hierakonpolis, Upper Egypt. Siltstone. Predynastic period. c. 3200 - 3000 B.C. Museum of Egyptian Antiquities. Cairo, Egypt.
Image: Daderot. {CC0 1.0}
Fig. A-3. Still Life with a Skull and a Writing Quill Pieter Claesz. Oil on wood. 1628. Metropolitan Museum of Art. New York, New York.
Image: The Metropolitan Museum of Art. {CC0 1.0}
Fig. A-4. Owl of Athena Silver Tetradrachm coin from Athens, Greece. Classical period. c. 480 - 420 B.C. Museum of Fine Arts of Lyon. Lyon, France.
Image: Jastrow. © Marie-Lan Nguyen / Wikimedia Commons. {CC BY 2.5}
Fig. A-5. Allegory of Logic and Dialectic Panel from the north side of the Campanile, Florence. Attributed to Luca della Robbia. Marble relief. c. 1437 - 1439.
Museo dell’Opera del Duomo. Florence, Italy.
Image: Jastrow. © Marie-Lan Nguyen / Wikimedia Commons. {CC PD-self}
Fig. A-6. Allegory of Justice Overdoor panel from France. Wood relief. c. 18th century. Metropolitan Museum of Art. New York, New York.
Image: The Metropolitan Museum of Art. {CC0 1.0}
Fig. A-7. The Story Book William-Adolphe Bouguereau. Oil on canvas. 1877. Los Angeles County Museum of Art. Los Angeles, California.
Image: Los Angeles County Museum of Art. Public Domain.
Fig. A-8. Idyll Frederic Leighton. Oil on canvas. c. 1880 -1881. Private collection.
Image: Mattes. {CC-PD-Mark} {PD-US}
Fig. A-9. Children playing cymbals Luca Della Robbia. Section of the Cantoria of Florence Cathedral. Marble relief. c. 1430 - 1438. Museo dell’Opera del Duomo, Florence, Italy.
Image: Jastrow. © Marie-Lan Nguyen / Wikimedia Commons. {CC PD-self}
Fig. A-10. Summer Flowers Henri Fantin-Latour. Oil on canvas. 1880. Metropolitan Museum of Art. New York, New York.
Image: The Metropolitan Museum of Art. {CC0 1.0}
Fig. A-11. Portrait of a Couple Frans Hals. Oil on Canvas. c. 1622. Rijksmuseum. Amsterdam, The Netherlands.
Image: Eloquence. {CC PD-Mark} {PD-US}
Fig. A-12. Kneeling figure of Hor-wedja Sculpture from Memphis, Lower Egypt. Sandstone. Dynasty 26. Late Period. c. 640 – 620 B.C. Walters Art Museum. Baltimore, Maryland.
Image: The Walters Art Museum. {CC0 1.0}
Fig. A-13. The Inspiration of Saint Matthew Michelangelo Merisi da Caravaggio. Oil on canvas. c. 1602. San Luigi dei Francesi Church. Rome, Italy. In situ.
Image: Masur. {CC-PD-Mark} {PD-US}
Fig. A-14. The Risen Christ Michelangelo Buonarroti. Black chalk on paper. c.1532. The Royal Collection. London, England.
Image: wikiart.org. Public Domain.
Fig. A-15. The Ecstasy of Saint Teresa Gian Lorenzo Bernini. Marble. 1647 - 52. Church of Santa Maria della Vittoria. Rome, Italy. In situ.
Image: Alvesgasapar. {CC BY-SA 4.0}
Fig. A-16. Notre-Dame Chimera Chimera on Notre-Dame Cathedral, Paris. Stone. c. 13th - 15th century A.D. Replaced 1840s. Notre-Dame Cathedral. Paris, France. In situ.
Image: Michael Reeve. {CC BY-SA 3.0}
Fig. A-17. Bronze grotesque Grotesque from Greece. Cast bronze. Hellenistic period. c. 2nd century B.C. - 1st century A.D. Metropolitan Museum of Art. New York, New York.
Image: The Metropolitan Museum of Art. {CC0 1.0}
Fig. A-18. Father I Cannot Tell a Lie: I Cut the Tree Lithograph. John C. McRae. 1867. After a painting by George Gorgas White.
Library of Congress Prints and Photographs Division. Washington, D.C.
Image: Materialscientist. {CC-PD-Mark} {PD-US} (LOC-image}
Fig. A-19. Gin Lane William Hogarth. Copper plate (etched & engraved). 1751. Metropolitan Museum of Art. New York, New York.
Image: The Metropolitan Museum of Art. {CC0 1.0}
Fig. A-20. Garden of Earthly Delights Hieronymous Bosch. Oil on wood panels. c. 1490 - 1505. Museo del Prado. Madrid, Spain.
Image: AxelBoldt. {CC-PD-Mark} {PD-US}
Fig. A-21. Die Pfändung (The Distraint) Peter Fendi. Oil on board. 1840. Österreichische Galerie Belvedere. Vienna, Austria.
Image: Multichill. (CC BY-SA 4.0}
Fig. A-22. Empire Springs from the Mind of Il Duce Sculpture. Ferruccio Vecchi. 1940. Location unknown.
Image: Photograph published 1940. Public Domain
Fig. A-23. Mao received the Red Guard Artist unknown. 1967. Location unknown.
Image: Walter Grassroot. {PD-China}
Fig. A-24. Duke Williams orders that ships be built Scene 35 of the Bayeaux Tapestry. Embroidery on linen from France. 11th century A.D. (after 1066).
Musée de la Tapisserie de Bayeaux. Bayeaux, France.
Image: Thincat. {CC-PD-Mark} {PD-US}
Fig. A-25. Atlas brings Herakles the apples of the Hesperides Metope 10, Temple of Zeus, Olympia, Greece. Marble relief. Classical period. c. Mid - 5th century B.C.
Archaeological Museum of Olympia. Olympia, Greece.
Image: Joanbanjo. (CC BY-SA 3.0}
Fig. A-26. The Death of Caesar Jean-Leon Gerome. Oil on canvas. c. 1859 - 1867. Walters Art Museum. Baltimore, Maryland.
Image: The Walters Art Museum. {CC0 1.0}
Fig. A-27. The Scream Edvard Munch. Mixed media on cardboard. 1893. National Gallery of Norway. Oslo, Norway.
Image: Coldcreation. {CC-PD-Mark} {PD-US}
Fig. A-28. The Wild Man Paul Klee. Print reproduction of original oil on canvas of 1922. Lenbachhaus. Munich, Germany.
Image: Ermell. {CC-PD-Mark} {PD-US}
Fig. A-29. Groningen horse Lithograph. Otto Eerelmann. Before 1898. Location unknown.
Image: Countercanter. {CC-PD-Mark} {PD-US}
Fig. A-30. Carolina Parrot Print engraving from original painting by John James Audubon. Original: 1825. New York Historical Society. New York, New York.
Image: Muriel Gottrop~commonswiki. {CC-PD-Mark} {PD-US}
Image: José-Manuel Benito. {CC PD-user}
Fig. 4-24. Narmer Palette, Verso side Ceremonial cosmetic palette from Hierakonpolis, Upper Egypt. Siltstone. Predynastic period. c. 3200 - 3000 B.C. Museum of Egyptian Antiquities. Cairo, Egypt.
Image: Daderot. {CC0 1.0}
Fig. A-3. Still Life with a Skull and a Writing Quill Pieter Claesz. Oil on wood. 1628. Metropolitan Museum of Art. New York, New York.
Image: The Metropolitan Museum of Art. {CC0 1.0}
Fig. A-4. Owl of Athena Silver Tetradrachm coin from Athens, Greece. Classical period. c. 480 - 420 B.C. Museum of Fine Arts of Lyon. Lyon, France.
Image: Jastrow. © Marie-Lan Nguyen / Wikimedia Commons. {CC BY 2.5}
Fig. A-5. Allegory of Logic and Dialectic Panel from the north side of the Campanile, Florence. Attributed to Luca della Robbia. Marble relief. c. 1437 - 1439.
Museo dell’Opera del Duomo. Florence, Italy.
Image: Jastrow. © Marie-Lan Nguyen / Wikimedia Commons. {CC PD-self}
Fig. A-6. Allegory of Justice Overdoor panel from France. Wood relief. c. 18th century. Metropolitan Museum of Art. New York, New York.
Image: The Metropolitan Museum of Art. {CC0 1.0}
Fig. A-7. The Story Book William-Adolphe Bouguereau. Oil on canvas. 1877. Los Angeles County Museum of Art. Los Angeles, California.
Image: Los Angeles County Museum of Art. Public Domain.
Fig. A-8. Idyll Frederic Leighton. Oil on canvas. c. 1880 -1881. Private collection.
Image: Mattes. {CC-PD-Mark} {PD-US}
Fig. A-9. Children playing cymbals Luca Della Robbia. Section of the Cantoria of Florence Cathedral. Marble relief. c. 1430 - 1438. Museo dell’Opera del Duomo, Florence, Italy.
Image: Jastrow. © Marie-Lan Nguyen / Wikimedia Commons. {CC PD-self}
Fig. A-10. Summer Flowers Henri Fantin-Latour. Oil on canvas. 1880. Metropolitan Museum of Art. New York, New York.
Image: The Metropolitan Museum of Art. {CC0 1.0}
Fig. A-11. Portrait of a Couple Frans Hals. Oil on Canvas. c. 1622. Rijksmuseum. Amsterdam, The Netherlands.
Image: Eloquence. {CC PD-Mark} {PD-US}
Fig. A-12. Kneeling figure of Hor-wedja Sculpture from Memphis, Lower Egypt. Sandstone. Dynasty 26. Late Period. c. 640 – 620 B.C. Walters Art Museum. Baltimore, Maryland.
Image: The Walters Art Museum. {CC0 1.0}
Fig. A-13. The Inspiration of Saint Matthew Michelangelo Merisi da Caravaggio. Oil on canvas. c. 1602. San Luigi dei Francesi Church. Rome, Italy. In situ.
Image: Masur. {CC-PD-Mark} {PD-US}
Fig. A-14. The Risen Christ Michelangelo Buonarroti. Black chalk on paper. c.1532. The Royal Collection. London, England.
Image: wikiart.org. Public Domain.
Fig. A-15. The Ecstasy of Saint Teresa Gian Lorenzo Bernini. Marble. 1647 - 52. Church of Santa Maria della Vittoria. Rome, Italy. In situ.
Image: Alvesgasapar. {CC BY-SA 4.0}
Fig. A-16. Notre-Dame Chimera Chimera on Notre-Dame Cathedral, Paris. Stone. c. 13th - 15th century A.D. Replaced 1840s. Notre-Dame Cathedral. Paris, France. In situ.
Image: Michael Reeve. {CC BY-SA 3.0}
Fig. A-17. Bronze grotesque Grotesque from Greece. Cast bronze. Hellenistic period. c. 2nd century B.C. - 1st century A.D. Metropolitan Museum of Art. New York, New York.
Image: The Metropolitan Museum of Art. {CC0 1.0}
Fig. A-18. Father I Cannot Tell a Lie: I Cut the Tree Lithograph. John C. McRae. 1867. After a painting by George Gorgas White.
Library of Congress Prints and Photographs Division. Washington, D.C.
Image: Materialscientist. {CC-PD-Mark} {PD-US} (LOC-image}
Fig. A-19. Gin Lane William Hogarth. Copper plate (etched & engraved). 1751. Metropolitan Museum of Art. New York, New York.
Image: The Metropolitan Museum of Art. {CC0 1.0}
Fig. A-20. Garden of Earthly Delights Hieronymous Bosch. Oil on wood panels. c. 1490 - 1505. Museo del Prado. Madrid, Spain.
Image: AxelBoldt. {CC-PD-Mark} {PD-US}
Fig. A-21. Die Pfändung (The Distraint) Peter Fendi. Oil on board. 1840. Österreichische Galerie Belvedere. Vienna, Austria.
Image: Multichill. (CC BY-SA 4.0}
Fig. A-22. Empire Springs from the Mind of Il Duce Sculpture. Ferruccio Vecchi. 1940. Location unknown.
Image: Photograph published 1940. Public Domain
Fig. A-23. Mao received the Red Guard Artist unknown. 1967. Location unknown.
Image: Walter Grassroot. {PD-China}
Fig. A-24. Duke Williams orders that ships be built Scene 35 of the Bayeaux Tapestry. Embroidery on linen from France. 11th century A.D. (after 1066).
Musée de la Tapisserie de Bayeaux. Bayeaux, France.
Image: Thincat. {CC-PD-Mark} {PD-US}
Fig. A-25. Atlas brings Herakles the apples of the Hesperides Metope 10, Temple of Zeus, Olympia, Greece. Marble relief. Classical period. c. Mid - 5th century B.C.
Archaeological Museum of Olympia. Olympia, Greece.
Image: Joanbanjo. (CC BY-SA 3.0}
Fig. A-26. The Death of Caesar Jean-Leon Gerome. Oil on canvas. c. 1859 - 1867. Walters Art Museum. Baltimore, Maryland.
Image: The Walters Art Museum. {CC0 1.0}
Fig. A-27. The Scream Edvard Munch. Mixed media on cardboard. 1893. National Gallery of Norway. Oslo, Norway.
Image: Coldcreation. {CC-PD-Mark} {PD-US}
Fig. A-28. The Wild Man Paul Klee. Print reproduction of original oil on canvas of 1922. Lenbachhaus. Munich, Germany.
Image: Ermell. {CC-PD-Mark} {PD-US}
Fig. A-29. Groningen horse Lithograph. Otto Eerelmann. Before 1898. Location unknown.
Image: Countercanter. {CC-PD-Mark} {PD-US}
Fig. A-30. Carolina Parrot Print engraving from original painting by John James Audubon. Original: 1825. New York Historical Society. New York, New York.
Image: Muriel Gottrop~commonswiki. {CC-PD-Mark} {PD-US}
